To some folks, a curler rink is only a place to skim round in a circle, not even very quick, going nowhere. But to its devotees and to the creators of DiscOasis, a brand new skate expertise in Central Park, it’s transformational, non secular — time journey on 4 wheels.

On Saturday evening, greater than a thousand skaters packed Wollman Rink, laced up their quads and spun off into glowing nostalgia. Spotlights shone onto the encircling timber, as a concert-level gentle present bathed the area in cyan, fuschias and golds. “Good Times,” that Nineteen Seventies social gathering staple, blared from D.J. Funkmaster Flex’s sales space, as the group — some wobblies, some extra knowledgeable — parted for the professionals: One curler dancer in flared denims dropped to a break up, whereas one other flipped off her wheels, uncoiling right into a headstand. For 10 minutes, it was all sizzling pants and acrobatics, after which common New Yorkers — many with a method not far-off — slid again in.

Hovering over this opening evening like a sequined demigod was Nile Rodgers, the Chic guitarist, funk-disco eminence and lifelong skater. He curated music for DiscOasis, and, with voice-over introductions, gives its cultural by means of line from Nineteen Seventies and ’80s New York, when he used to frequent town’s now shuttered, as soon as legendary rinks with Diana Ross and Cher. Kevin Bacon and Robert Downey Jr. too. (The ’80s had been wild.) With some talent on wheels, “You feel like you have special human powers,” Rodgers stated in a current video interview. “You feel like you can fly.”

Roller skating is having one other flash of recognition, however DiscOasis units itself aside from town’s different rinks and pop-up occasions (Rockefeller Center is briefly internet hosting wheelers, too) by means of its manufacturing worth, theatricality and pedigree. There’s blossoming disco balls as huge as eight ft in diameter, and a multitiered stage, created by the Tony-nominated set designer David Korins, who did “Hamilton” and reveals for Lady Gaga. The forged of 13 consists of legends of New York curler disco, just like the long-limbed skater generally known as Cotto, a fixture within the metropolis’s parks for greater than 4 a long time, whose signature leg twirls and pivots have influenced scores of skaters.

“We call it jam skating,” he stated. DiscOasis coaxed him out of retirement — he’s had each hips changed — for choreographed reveals, 5 nights every week.

The power is ecstatic, and infectious. “Being on wheels is paradise to me,” stated Robin Mayers Anselm, 59, who grew up going to Empire Skate, the storied Brooklyn emporium. “I feel more connected to myself and my spirit when I skate.”

That’s true even for the newbies, like Robin L. Dimension, an actress carrying an embellished jumpsuit and a chunky “Queen” necklace together with her psychedelic-patterned skates. “I got a really nice outfit,” she stated, “so I look good going down.”

Billed as “an immersive musical and theatrical experience,” DiscOasis started final 12 months exterior of Los Angeles, the pandemic brainchild of an occasions firm led by a C.A.A. agent. But its foundational residence was at all times New York, and will probably be open day by day by means of October.

“For us, DiscOasis is a movement, it’s a vibe — we want as many people to be able to experience it,” stated Thao Nguyen, its govt producer, and chief govt of Constellation Immersive, its dad or mum firm, which partnered with Live Nation and Los Angeles Media Fund to stage the collection.

For New York’s skate neighborhood, it’s in the beginning a very good flooring. “You know, we’re not impressed by the accouterments of the illusion,” stated Tone Rapp Fleming, a New York native and skater for 50 years, who got here for a preview on Thursday. That’s largely as a result of ride-or-die skaters like him and his good friend Lynná Davis, vp of the Central Park Dance Skaters Association, would skate on a trash can lid, as she put it. But they praised the rink’s glidable new floor, painted in main shades of blue, yellow and crimson.

DiscOasis’s creators knew that in the event that they gained over the old-school skate crew, the world would observe; Davis, an ageless surprise in rainbow-flecked braids and customized bejeweled, be-fringed wheels, helped with casting. “Work it out, kids!” she cheered on the youthful dancers, as they cartwheeled their routine, to a soundtrack that spun from Queen to “Rapper’s Delight.”

Rodgers created the playlists for the performances, which occur all through the evening, interspersed with reside D.J.s. (the daytime is for extra relaxed skating). A longtime New Yorker, Rodgers coined his skate fashion as a 12- or 13-year-old on a short sojourn in Los Angeles, when he tore up the city with different youngsters, performing little routines. “I had this wobbly leg way of skating,” he stated. He nonetheless does, “even though I’m going to be 70. And it looks cool.”

His crew stood out even then: “We used to skate to jazz,” he stated, recalling their grooves to the guitarist Wes Montgomery’s 1965 basic “Bumpin’ on Sunset.”

Fast ahead 30 years, and Rodgers had largely hung up his skates. But he has been so energized by his affiliation with DiscOasis, which approached him for the Los Angeles occasion, that it reignited his devotion. Now on tour in Europe, he has been conjuring minirinks wherever he goes, one resort ballroom at a time.

“They lift up the rugs for me and create a big dance floor,” he stated. “I can skate in a little square. There’s nobody in there, because I skate at such weird hours — 4 or 5 in the morning.” (He doesn’t sleep a lot. As befits a disco-era style legend, he additionally has personalised skates — orange, inexperienced, iridescent — which obtained caught in customs on their strategy to Europe. His favourite are a basic pair of black Riedells.)

Even for somebody well-versed in skate tradition, the Los Angeles model of DiscOasis supplied some classes. Most skaters solely follow the rink for about 45 minutes, Rodgers stated. The area round Wollman has a non-skate dance flooring and some Instagram-ready installations impressed by his music. The big half-disco ball filled with oversize marriage ceremony bouquets, pearls and askew model legs, for instance, is meant to represent Madonna’s “Like a Virgin,” which he produced.

For Korins, the manufacturing designer, the area is a Studio 54 throwback, however brisker. “We’re leaning into this oasis idea — if you think about mirrored balls and foliage coming together to have a child, that’s what we’re making,” he stated. (Think discofied palm timber and cactuses.) And the Central Park location, with the Manhattan skyline rising above it, brings its personal magic. “It takes all the best things about roller skating and disco and it literally rips the roof off,” he stated.

Like different skate habitués, Korins has a principle about why it stays to addictive. “It’s really hard to find an experience in life that’s both kinetic and dynamic,” he stated — you possibly can flex your solo fashion and likewise get the communion of “an organism moving around together.”

Shernita Anderson, the choreographer, noticed that in motion. For solos, the forged was by itself. “We were like, ‘Go off, live your best life!’” she stated. “And that’s what they did.”

Pirouetting and high-kicking his method by means of the act was Keegan James Robataille, 20, a musical-theater-trained dancer who solely started skating two years in the past as a pandemic outlet. A swing within the firm, that is his first skilled, contracted gig. He grew up close to a rink in Amsterdam, N.Y. “I remember going there all throughout middle school and being like, ‘Wow, I wish I could skate backwards and do these cool tricks,’” he stated. “And here I am performing in New York City, doing what little me would have dreamed of doing.”

A closing quantity — set to Donna Summer’s “Last Dance,” naturally — got here on and he sailed away for his cue. It had the skaters in capes dotted with LEDs, like luminescent butterflies.

“I have never seen anything like this in New York,” stated Samantha O’Grady, a 24-year-old native. The rinks she began studying in any respect closed “by the time I was a tween,” she stated, however the retro atmosphere of DiscOasis gave her a flicker of how the scene regarded earlier than her time. “I sent a picture to my mother; she was so jealous.”

First-time guests had been already planning to grow to be regulars, like Robbin Ziering, whose marriage ceremony was on wheels. “We love to work, we love to dance, we love music — but we live to skate,” she stated. “And that’s what it’s all about.”

Kalia Richardson contributed reporting.